Baby Review: An Astute Portrait of LGBTQ+ Brazilian Hustlers Adrift in the Established Order

Evoking the city's relentless energy and pulsating life of São Paulo, filmmaker Caetano's unflinching drama zooms in on those who live on the fringes of an ever-changing metropolis. Recently released from juvenile prison, 18-year-old Wellington (João Pedro Mariano) finds himself at a crossroads; deserted by his parents, the impressionable young man discovers refuge in the arms of others.

On an evening out with his rowdy group of LGBTQ+ and gender non-conforming friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a muscular, charming hustler significantly older than his age. Shrouded in the pulsating light of a neon-lit porn cinema, their introductory rendezvous is sensuous and erotic, with an tinge of peril. Ronaldo promptly ushers Wellington to the shadowy world of the sex trade and selling drugs.

A Study of Empathy Rather Than Exploitation

The film illustrates Wellington’s new life of crime with gentle sympathy instead of as a exploitative warning story. Now going by the name of Baby, he enters his commercial trysts with brash fearlessness and endearing innocence. To his patrons, Wellington provides not just his youth and his body, but also instances of tenderness.

In the electrifying chaos of São Paulo, teeming with busy lanes and vibrant storefronts, there’s a deep-seated solitude, as adrift individuals hold fast to one another for momentary bliss.

"The urban landscape might be riddled with risk, yet they are where they can find their own family, too."

A Complicated Relationship of Affection and Power

Ronaldo is simultaneously a partner and a protective father figure to Wellington, but their connection is thrown off course by possessiveness and financial instability. Threats from nefarious characters in the underworld seem minor next to the dread of institutional observation and incarceration, symbolized by the looming presence of police officers making their rounds.

Baby is especially potent as an astute portrait of the lost people who have been failed by the social system. The film stands as a moving exploration into survival, found community, and the quest for purpose within a demanding urban landscape.

Matthew Ross
Matthew Ross

An avid hiker and environmental writer sharing stories from the trails to inspire conservation and outdoor exploration.

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